Pickle Me This

Pickle Me This

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Pickle Me This
Pickle Me This
"All I Want Is Everything"

"All I Want Is Everything"

On apocalypse children, riding stallions, and finally discovering the depths and wonders of THE DIVINERS

Kerry Clare's avatar
Kerry Clare
Dec 02, 2024
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Pickle Me This
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"All I Want Is Everything"
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My monthly essays are for paid subscribers, whose support has been such a bolstering force this year. Thank you for being here. If you like what I do and would like to have access to my essays, as well as bonus episodes of my podcast, please consider a paid subscription, which is currently set as cheap as the Substack gods permit (because while I do indeed value my work, I also know that there are a lot of writers out here and that these subscriptions do add up). All restacks and shares are appreciated. Thank you all for being to the answer to the proverbial question, “Is there anybody out there?” I love that you are.

I don’t remember the first time I read The Diviners, but whenever it was, most of the richness of the novel was surely lost on me. February 2000 is the date inscribed below my name on the inside page of my New Canadian Library Edition, from a second-year Canadian fiction course in university, but I’m sure I read it at least once before that too. We’d studied Margaret Laurence’s earlier novel, The Stone Angel, in high school English, a curiosity in the curriculum—I’m not sure that 17-year-olds were ever that book’s ideal readers. And to my (very young) mind, for a long time, there wasn’t a clear distinction between its nonagenarian protagonist Hagar Shipley and The Diviners’ Morag Gunn, both of them untamed women with ugly first names, their characters rhyming (hag and rag), both past their prime, unfathomably elderly.

I reread The Diviners again in 2006, according to the second date on the flyleaf, when I was in my mid-20s, an experience that left no impression. My favourite of Laurence’s Manawaka books has always been The Fire Dwellers, a story of 1960s’ suburban housewife ennui, a novel that’s closer to my cultural and pop-cultural sensibilities, and I’ve returned to it a few times more recently. Unlike The Diviners, which stayed up on the shelf until after I’d gone to see the stage adaptation at The Stratford Festival in September (it was magnificent!) which blew my mind with the revelation that Morag Gunn is 47.

ONLY 47, which is to say in the prime of life. In my early-20s solipsism (um, as opposed to my current mid-40s solipsism!) I’d missed this entirely. Morag doesn’t help the cause by proclaiming, “But the plain fact is that I am forty-seven years old, and it seems fairly likely that I will be alone for the rest of my life…” at one point, sounding like some washed-up old hag(ar), although she doesn’t necessarily mean the fact of her solitude as a bad thing, something I didn’t understand before.

And this was just one of the many things I didn’t understand before, until I reread The Diviners again this month at the age of 45, my first experience of truly being able to access its depths and its wonders.

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